Imogen Penfold
Hackney, London · Hand-drawn ink
Botanical lines and quiet humour. Imogen has drawn for the range since 2016, working from a studio above a record shop.
See Imogen's portfolio →The Illustrators
Every card in the Really Fab Cards collection begins in a studio — a kitchen table in Hackney, a top-floor flat in Lisbon, a print room above a bakery in Bristol. Meet the working artists behind the 1,400 designs we ship each fortnight.
The roster, in numbers
This Season
Hackney, London · Hand-drawn ink
Botanical lines and quiet humour. Imogen has drawn for the range since 2016, working from a studio above a record shop.
See Imogen's portfolio →
Lisbon, Portugal · Risograph & digital
Two-colour prints with a soft mid-century bent. Bruno joined the roster in 2019 after a residency at the Hove studio.
See Bruno's portfolio →
Hove, East Sussex · Letterpress
One of three letterpress specialists on the roster. Rose presses every wedding and milestone card in a 1946 Vandercook.
See Rose's portfolio →
Glasgow, Scotland · Collage & mixed media
Torn-paper textures and archive ephemera. Theodora's anniversary cards are studio bestsellers two years running.
See Theodora's portfolio →Our Promise
Really Fab Cards was started in a Brighton garden flat in 2014 by Anna Wexler, a former art director who wanted to put working illustrators — not stock imagery, not licensed clip-art — at the centre of a greeting card range. Eleven years on, the studio still commissions every design directly from an artist we know by name, and every brief is a conversation: about the occasion, the line of the drawing, the weight of the stock, the colour of the envelope.
We pay fair royalties on every unit sold, return unsold stock to the illustrator where requested, and credit the artist on the back of every card. We do not buy in bulk from a third-party catalogue, we do not white-label designs from overseas factories, and we do not pass off digital work as hand-drawn. When a card says hand-illustrated on the sleeve, it was drawn by a hand.
— Anna Wexler, Founder & Creative Director
Browse by Technique
Four core techniques make up most of the range. Pick the one that matches the card you have in mind, or step back to the full roster.
Ink, brush, watercolour. Pen on paper, photographed and printed at 350gsm. Look for the drawn tag on the card back.
94 illustrators 02Procreate and Affinity work, giclée-printed onto the same cotton stock. Always honestly labelled on the sleeve.
71 illustrators 03Pressed on a Vandercook or Adana. Each card is a small run of 200–400 — when it's gone, it's gone.
12 illustrators 04Torn paper, archive ephemera, risograph overlays. The most texture-led work in the range.
43 illustratorsFor Buyers
Browse the full roster, filter by technique, or shop by occasion. Free UK mainland delivery on every order, dispatched within four hours from the Hove studio.
Shop All IllustratorsFor Artists & Trade
We commission six new illustrators a year and run a rolling open-call for licensing submissions. Trade buyers and stockists can request a wholesale lookbook.